Salsman: Capitalism Isn’t Corporatism or Cronyism
Another great one by Richard Salsman:Capitalism is the greatest socio-economic system in human history, because it’s so moral and so productive – the two features so essential to human survival and flourishing. It’s moral because it enshrines and fosters rationality and self-interest – “enlightened greed,” if you will – the two key virtues we all must consciously adopt and practice if we’re to pursue and attain life and love, health and wealth, adventure and inspiration. It produces not only material-economic abundance but the aesthetic values seen in the arts and entertainment.
But what is capitalism, exactly? How do we know it when we see it or have it – or when we haven’t, or don’t?
[...]Capitalism has been blamed for the Great Recession of 2007-2009 and for the financial crisis and bailouts of 2008, but it’s not “capitalism” but the mixed economy and corporatism-cronyism that did it. We’ve had corporatism in the U.S. for roughly the past century, and it’s getting worse over time; it’s also the system we’ve seen in Europe since at least the time of Germany’s Otto von Bismarck, who launched the womb-to-tomb welfare state in the 1870s. In the interim, of course, Europe also imposed communism, socialism and fascism. The result, we know, was mass murder, world war, and the continent-wide destruction of wealth.
Capitalism’s greatest intellectual champion, Ayn Rand (1905-1982), once defined it as “a social system based on the recognition of individual rights, including property rights, in which all property is privately owned.” This recognition of genuine rights (not “rights” to force others to get us what we wish) is all-crucial and it has a distinctive moral foundation, according to Rand:
The recognition of individual rights entails the banishment of physical force from human relationships: basically, rights can be violated only by means of force. In a capitalist society, no man or group may initiate the use of physical force against others. The only function of the government, in such a society, is the task of protecting man’s rights, i.e., the task of protecting him from physical force; the government acts as the agent of man’s right of self-defense, and may use force only in retaliation and only against those who initiate its use; thus the government is the means of placing the retaliatory use of force under objective control.” “The moral justification of capitalism does not lie in the altruist claim that it represents the best way to achieve “the common good.” It is true that capitalism does—if that catch-phrase has any meaning—but this is merely a secondary consequence. The moral justification of capitalism lies in the fact that it is the only system consonant with man’s rational nature, that it protects man’s survival qua man, and that its ruling principle is: justice.
Elaborating, Rand explained in Capitalism: The Unknown Ideal (1966) that historically, politically, economically, and morally, capitalism was the superior socio-economic system, yet also how, for decades, its achievements and virtues had been hidden and buried deliberately in an avalanche of prejudice, distortion, and falsehood. Rand argued that capitalism is a moral ideal yet also was made real, and to the greatest extent, in America in the 19th century, especially during the Gilded Age (1865-1890). Thus she called the U.S. “the greatest, the noblest and, in its original founding principles, the only moral country in the history of the world.”
Read the rest of Capitalism Isn't Corporatism or Cronyism over at Forbes.
NEW ROMANTICIST: Ayn Rand? Yes, I see the author of Atlas Shrugged she even makes an appearance in Table For One. What inspires you about Ayn Rand and her philosophy
NEW ROMANTICIST: I see some John Romita Jr. in there too – particularly in the panel with your character Killian inking his comic with his library in the background. Also, some of those characters seem reminiscent at times of Herge’s Tintin. Wasn’t Miller an Ayn Rand fan too (though by no means could one call him an Objectivist)? I remember reading that Miller was particularly influenced by her work on esthetics, The Romantic Manifesto, which I assume you have also read?BOSCH: Definitely, I read it a number of times, and I recall that when I first heard of Rand's influence on Miller, I felt "Of course", after having read his work for a number of years. John Romita Jr. was my favorite penciler in comics for a good number of years, especially when he had his early runs in Amazing Spider-Man and X-men, and I still appreciate his work, but I'd love for him to draw stories that he thinks are truly worth telling because when he's asked about his best work he goes back nearly twenty years to his collaboration with Frank Miller in Daredevil: Man Without Fear.NEW ROMANTICIST: Miller also has been fairly vocal against the Jihadists and in his defense of
NEW ROMANTICIST: Who is Pigman and how did he come about?BOSCH: Pigman is aka Frank Warner, an ex-Muslim who, prior to
NEW ROMANTICIST: How did you come about your views of Islam?BOSCH: I was born into a Muslim family and, while my parents were not devout, anti-Semitism, misogyny, and a rejection of all those outside of our own kind was the norm in my upbringing. Only after 9/11 did I read the Koran and study Islam and its jihad. I needed to know firsthand whether Islam sanctioned the atrocity and I found that it did -- that however insane the act seemed to the civilized world, Islam gave the 9/11 Muslim mass murderers a moral sanction for their evil act. We are still so far removed from the realization that Islam’s heroes are its jihadists, from Mohammad to Osama bin Laden.NEW ROMANTICIST: Wow! Leaving Islam. Doesn’t that make you an Apostate?BOSCH: It does, and according to Islam, I'm to be killed for it. It's similar to how deserters of armies have been dealt with by their superiors when caught, which only emphasizes the militant nature of Islam.NEW ROMANTICIST: Well at least you are in good company. So I take it you would not put Mohammad in the same category of Jesus or Buddha?BOSCH: Mohammad was unique among those who claimed to be prophets as he had his critics assassinated, he waged wars against neighboring tribes and spread his religion by the sword. Mohammad made the founders of other religions seem rational by comparison.NEW ROMANTICIST: Well how would you reply to Former President George W. Bush and President Obama who say that Islam is a “religion of peace”, and that Osama and those violent Muslims are “extremists?”BOSCH: Islam means submission, submission to the will of the malevolent Muslim God, Allah. Osama bin Laden has never been repudiated as a deviant Muslim by any honest Muslim who knows Islam. The mass-murderer Osama bin Laden is revered in the Muslim world as the closest thing to Mohammad today, which really is all one needs to know about Islam and what it truly means.
NEW ROMANTICIST: Yeah, but those moderate Muslims aren’t killing anybody. In fact you have a peaceful, moderate Muslim as a character in your comic-book. What does that make them?BOSCH: "Moderate Muslims" aren't Muslim in any way that Islam would recognize. The problem with them is that they give Islam a better face than it deserves, and some mistake them for Islam itself, sometimes citing a decent person who happens to be Muslim as proving that Islam's fine, outside of its "extremists." I've thought about this for a while, and I think I've found a good way to make my point about it: Your average Muslim is morally superior to Mohammad. They are individual human beings who may or may not be a problem. It's Islam's consistent practitioners, especially those who are active in Organized Islam, who are the problem.NEW ROMANTICIST: It’s quite intriguing how you have a story within a story. You have the counter-jihad superhero, PIGMAN, whom is the fictional creation of Killian Duke, who is himself is a fictional creation by you. It works on so many layers tailored to multiple audiences. How did you come up with that idea? BOSCH: At a certain point in putting together my ideas for the story, I thought about the fact that not only must we wage a ruthless battle against the jihadist enemy, but we also, as individuals, have to fight through the self-destructive barriers that our culture has built around us in order to dissuade anyone from taking on a project such as The Infidel. It's as if somehow those who are most invested in these barriers think that they can protect themselves from acknowledging certain terrible truths without paying any real world consequences for it. As Ayn Rand has stated, "To fear to face an issue is to believe that the worst is true." So the story of Pigman took on a whole new dimension for me when I decided to write about the kind of cartoonist who would create such a comic book in a world that demanded it, but that does its best to ignore the necessity for it, which made me even more interested in taking the project on.NEW ROMANTICIST: If you could describe Pigman in one or two words what would you call him?BOSCH: Jihadists' Terrorist.
NEW ROMANTICIST: And would it be safe to say, given the similarities, that Killian Duke is an autobiographical version of you?BOSCH: Yes, he is.NEW ROMANTICIST: So how has been the response to Issue#1 of The Infidel so far?BOSCH: The response to The Infidel #1 has been gratifying. There have been two reviews published so far, both positive. One was written by someone who disagrees with the theme of the work; one by someone who is sympathetic with it. Reader response has been as good as I could have hoped for, both from long-time comic book fans and from those for whom this may have been a first-time comic book purchase. Nearly ten years after 9/11, The Infidel #1 is the first comic that has taken on jihad in a significant way. I believe today’s pop culture has to show and tell the truth about what we are facing in the post-9/11 world; it has to bring it to the enemy the way the culture of the WWII generation did.NEW ROMANTICIST: …and it also looks like you will be making an appearance on The John Stewart show?BOSCH: Yes, after they read my critical comments about the "Muslim" Batman, they found out about Pigman and invited me on to discuss both in an "interview" conducted by their "Liberal Muslim". And even though I thought the actual shoot went pretty well, who knows what will air, since their job is get as much laughter as they can from their segments. But I figured this would be a good way to get Pigman out there to a culture that has seemed to want to keep him out. The segment I'm on has been rescheduled a few times already, but it looks like it will now air either Mon. Feb. 28, but more likely Tues., March 1st. I'll keep everyone updated about that on my blog.NEW ROMANTICIST: So what can we expect in Issue #2?BOSCH: The twins engage in a war of words that only makes matters worse between them, but sheds more light on who these men are. In Pigman's world, SuperJihad makes his first strike.NEW ROMANTICIST: Fantastic…thank you for sharing your time with us Bosch, and we hope to hear from you again.BOSCH: I appreciate the opportunity to get the word out about my work, thank you.